Joe Henderson: So Near, So Far (Musing for Miles)
One way to think about jazz is as a dialogue between tradition and innovation. Read More
One way to think about jazz is as a dialogue between tradition and innovation. Read More
Friday evening Jazz Spectrum will showcase Joe Henderson’s So Near, So Far (Musings for Miles). For this avid listener, it will be a chance to return to that record to ask questions once again of the music and its players. This time, I’m curious about the underappreciated (by me) side of Miles Davis that I discussed in this space on May 28 as I joined the world in celebrating the maestro’s centennial. As influential as Miles is, there are broad swaths of his music that I know too poorly. Read More
Among the more audacious album titles in jazz is Genius of Modern Music (Vols. 1 & 2), applied to a pair of separate albums that Blue Note released in 1956, gathering the recordings from 1947 through 1952 of Thelonious Monk. I’ve always been happy the producers avoided leading with either “A” or “The”. “The” would been a smidge too bold, since around that time there were doubtless more than one genius mining the modern vein. But “A” would have been far too pallid – Thelonious was always too singular to be lumped with anyone else. So, “Genius” it was. And it was apt. Read More
WGTE Public Media believes every child should begin school ready to learn. WGTE’s latest early learning initiative, Learn & Play Treasure Chests, is designed to provide teachers, parents and caregivers with tools and materials that set children up for success in school and beyond. The initiative employs an innovative approach to early childhood learning. Read More
I came to the vibraphone early in my jazz listening, and I’ve been there ever since, as the Jazz Spectrum archives document. And in this decade, the instrument has become ever more prevalent on the show, as it is on the current scene. Read More
In that winter of Lockdown, the Smalls/Mezzrow livestreams were my way of accessing at least some kind of live music performance. I hit a jackpot (on a pretty safe bet) with a band called Palladium promising to play Wayne Shorter’s Speak No Evil on Christmas Eve 2020, 56 years to the day after its original recording. This was also the first time I heard Nicole Glover who met the responsibility of playing tenor saxophone by being a fresh voice, very much her own, respectful but not too deferential. Read More
Toledo, Ohio — WGTE Public Media believes every child should begin school ready to learn. WGTE’s latest early learning initiative, Learn & Play Treasure Chests, is designed to provide teachers, parents and caregivers with tools and materials that set children up for success in school and beyond. The initiative employs an innovative approach to early childhood learning. Each Learn & Play Treasure Chest includes books, hands-on activities and guided links to PBS KIDS content. Read More
In 1992, I was drawn to a show at the Regatta Bar in Cambridge featuring Joe Henderson and Freddie Hubbard on the front line. With his 1985 recording, The State of the Tenor, Joe had reestablished himself as a not-to-be-missed musician and one of the inarguable occupants of jazz’s vaunted tenor-saxophone. And Freddie, a wunderkind trumpeter who rose to heady prominence in the early 1960s, had reliably returned from his fusion digressions to produce a series of notable records in the mid-to late 80s. Read More